ANDRE LEPECKI EXHAUSTING DANCE PDF

London: Routledge, ; pp. What can philosophy do for dance? Dance, though, hopes to explore the particular gesture, the particular release of energy, the particular moment of possibility without desire for broad appeal. Odd bedfellows, philosophy and dance have spawned a tiny literature concerned with aspects of Western theatrical dance, explored in large part by men Sparshott and ; Fancher and Myers and phenomenological approaches to body knowledge, largely offered up by women Foster et al. Although a palpable line of gender divides the discussion, this constant emerges: Philosophy tends to push conversations around dance away from physical movement toward a space of contemplation, where bodies can become interchangeable, and, in many ways, irrelevant.

Author:Gardarg Gosida
Country:Cameroon
Language:English (Spanish)
Genre:Love
Published (Last):15 January 2010
Pages:207
PDF File Size:15.71 Mb
ePub File Size:18.1 Mb
ISBN:160-8-64147-455-5
Downloads:69544
Price:Free* [*Free Regsitration Required]
Uploader:Ner



Still distinguished 79 4. L USA This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.

The sedimentation of images one on top of the other repeats the pacing of the text cards, reinforcing the solipsistic self-production of subjectivity as secured by reiterative mechanisms of appearing. In the series of gestures, speech acts, characters, scenarios, and fantasies upon which Western theatrical dance has historically grounded itself up, dance was coopted by an exhausting program for subjectivity, an idiotic energetic economy, an impossible body, and a melancholic complaint regarding a very narrow understanding of time and temporality.

Sloterdijk explains how Heidegger purposefully chooses a word to characterize this falling into temporality that distances itself from any metaphysical or Christian notions of the Fall: There are no discussion topics on this book yet.

This choreography of humorous modesty was only possible due to the frontal position of the audience in relation to the exhaustng proscenium. No trivia or quizzes yet. Project MUSE — Exhausting Dance: Performance and the Politics of Movement review After completing his graduate studies in painting and sculpture at the University of California at Davis inNauman began to create photographs, sculptures, and films taking his body as central element.

Performance and the politics of movement examines the work of key contemporary choreographers who have transformed the dance dabce since the early s in Europe and the USA. Distending itself across the time of the event and through the space of historical rubble, Pope.

That is to say: Lest we forget, Western dance achieved its representational autonomy and therefore its claim for an ontology by literally becoming dumb. Exhausting Dance: Performance and the Politics of Movement Limon and Virilio A not-so-obvious acronym, a piercing sound blasting a hole in the signifier of blackness, zooming through it. Chris Thompson writes about Pope. In order to achieve this, he relies on dramaturgies that allow him to create, at least temporarily, a very real possibility of full-blown confrontation only to immediately dispel this threat through a disarming, often humorous, call for dialogue.

Only after accepting such grounding of dance on movement can one accuse certain contemporary choreographic practices of betraying dance. Lest we forget, colonialism and racism are not buried in the past of explicit colonialist ruling. This continuous rewriting generates the haunting temporality of which choreography participates. For theirs is not only a philosophy of the body but a philosophy that creates concepts that allow for a political reframing of the body.

Intrusion of the ontohistorical choreographic number 4: He also returned to Manhattan to perform Tompkins Square Crawl July 18, and, into initiate his longest crawl. To acknowledge that dance happens in this contested space clarifies how recent accusations of betrayal ventriloquize an ideological program of defining, fixing, and reproducing what should be valued as dance and what should be excluded from its realm as futureless, insignificant, or obscene.

As we enter the performance space, we find Le Roy at lepeck desk, dressed in black pants and shirt, receiving his audience, acknowledging our entrance. Both the distorted and the dysfunctional reveal the inadequacy of orthogonal spatiality before the impalpable dimensionality La Ribot creates for the presentation of her body.

Sometimes they would hit something on the floor or the ceiling and go off into the corner and hit together. Find an empty room. The empty seats next to the black man on the train are not fully empty, nor fully full. The ground, above all, weighs in. Want to Read saving…. One must assume so. For Martin, mobilization is already participation, it is a moving- toward-the-world — in the sense that methexis proposes a participatory encountering that challenges the distancing forces of mimesis.

But something extraordinary happens at the intersection between body and language in this beautiful piece, something fluid that suspends the house arrest of the body by language, by laws of signification and of signature. During the rendition of Fatelo Con Me in Panoramix, two museum workers stood on opposite walls of the gallery and kept the audience behind an imaginary line running between them.

He picks up one pile of cards and carefully places the top card of that pile under the camera lens. Although a palpable line of gender divides the discussion, this constant emerges: Related Posts.

GARSIJA MARKES PDF

Exhausting Dance: Performance and the Politics of Movement

Could there be a temporal slanting taking place? L creates for and with his audience are zones neither of open confrontation, nor full-out antagonism. Intrusion of the ontohistorical choreographic number 5: To place Nauman directly within s postmodern dance is an intriguing historiographic move — but it is one that has been emerging recently and insistently in unexpected places. L to join us for a week at the Haus der Kulturen der Welt. To keep track of both one has to look up and down and sideways simultaneously. I dedicate each chapter of this book to a close reading of a few selected pieces by European and North American contemporary choreographers, visual artists, and performance artists whose work regardless of whether that work properly falls into the category of theatrical dance proposes, with particular intensity, a critique of some constitutive elements of Western theatrical dance. Thus, considering literal or metonymical as opposed to analogical and metaphorical relations between dance and politics becomes a fundamental step for political and critical theory to address the choreographic dynamics of social movements and social change — regardless if those movements and changes manifest themselves on the stage or in the streets.

95 TESES DE MARTINHO LUTERO PDF

André Lepecki

Still distinguished 79 4. L USA This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices. The sedimentation of images one on top of the other repeats the pacing of the text cards, reinforcing the solipsistic self-production of subjectivity as secured by reiterative mechanisms of appearing. In the series of gestures, speech acts, characters, scenarios, and fantasies upon which Western theatrical dance has historically grounded itself up, dance was coopted by an exhausting program for subjectivity, an idiotic energetic economy, an impossible body, and a melancholic complaint regarding a very narrow understanding of time and temporality. Sloterdijk explains how Heidegger purposefully chooses a word to characterize this falling into temporality that distances itself from any metaphysical or Christian notions of the Fall: There are no discussion topics on this book yet. This choreography of humorous modesty was only possible due to the frontal position of the audience in relation to the exhaustng proscenium.

PUPUL JAYAKAR KRISHNAMURTI A BIOGRAPHY PDF

Start your review of Exhausting Dance: Performance and the Politics of Movement Write a review Mar 19, Ayanna Dozier rated it really liked it Exhausting Dance: Performance and the Politics of Movement is a great introduction text on dance analysis and theory. In particular, scholars working in the realm of cultural, performance, and media studies will find this book useful in providing an overview and conceptually rich analysis on various forms of dance that exist in performance. Working through postcolonial theory, Lepecki situates the Western philosophy and linguistics as shaping the solipsistic solitary approach to dance that Exhausting Dance: Performance and the Politics of Movement is a great introduction text on dance analysis and theory. Working through postcolonial theory, Lepecki situates the Western philosophy and linguistics as shaping the solipsistic solitary approach to dance that privileges white male bodies over others. In so doing, some of these performances are able to engage and rematerializes the "racialized territory" that dance criticism and scholarship often ignore

Related Articles